The video game and cultural textures he adds to the film – transferring one scene in Scott Pilgrim vs. He might even be the best of the new wave of cinematic storytellers. When called to be coyly aloof she absolutely delivers and then, when the two starry-eyed lovers share a few private moments together, she’s sexy as hell, leaving me to believe Winstead might be the break-out star of Wright’s movie.īut let’s get this straight, Wright is a genius young filmmaker. Yet, just like the changing colors of her hair, she morphs on screen with stunning results. Winstead, in the role as Pilgrim’s muse, gets to roll around, swing a giant hammer, do black flips, high kicks, and fall down a flight of stairs just like the boys do.
#Scott pilgrim vs the world the game color palette movie
In fact, all of the film’s stars – including its female leads - pull off some pretty glamorously ingenious fight scenes throughout the movie, making this movie an equal opportunity employer.
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Volleying over his opponents in ballet-like feats of skilled precision, Cera absolutely pulls off the physical demands of the role and furrows the brow as well as any tough guy Hollywood star. But, if anything, Wright manages to transform Cera’s spineless energy into a sword-carrying action star of Kung Fu cinema. His movies make money because people want to see him to his shtick. The World, since there is a narrowness in its respective audience, the shoegazer’s version of the high-browed intelligence in Nolan’s Inception.Ĭera, still the ultimate Charlie Brown in human form, certainly doesn’t add a significant amount of layer to his well-known screen persona. That being said, I guess you could call Scott Pilgrim vs. Even still, both dazzle the senses with neither being better than the other. Both are wicked-smart forms of entertainment and sorely needed in a humdrum summer of lackadaisical releases. Both spot-on in tone, texture and triumph. The World has the pop and fizzle freshness of a cool can of soda on a hot summer day. While Nolan’s Inception has its classically-timed calculations and Bond-like appeal, Scott Pilgrim vs. And since comparisons are bound to be made, let me go right ahead and open the door. The World sneaks its way along, minute by minute, until you are left with nothing short of a pioneering film destined to inspire a whole new generation of technical filmmakers. Packing a solid punch of cartoonishly glazed color in every detail, Scott Pilgrim vs. Wright’s transwarped love affair with quick cuts, clever transitions, campy wit, and pop-culture relativity is amazingly slapped all over this picture. Yet, when Ramona’s ex-boyfriends (and one girlfriend) randomly show up and challenge Pilgrim to epically duel – in video game fashion - for the right to date her, he discovers that, in life, some things are definitely worth fighting for. Once this is humorously accomplished, Pilgrim and Flowers enjoy a few days together, though he can’t bring himself to break things off with swooning Knives. Once convinced that Ramona is real, Pilgrim spends most of his time thinking about her and ways to hang with her, the way young lovers do. That is until a dream, starring one Ramona Flowers (Mary Elizabeth Winstead), awakens him from his slacker anthem and calls him to a life of duty. Living in Toronto with his sarcastic gay roommate Wallace Wells (Kieran Culkin), Pilgrim, as a slacker, doesn’t aim for anything real and just lives, finding himself mostly “booooooorrrrrrred” to piss by everything. He plays bass for the The Sex Bob-ombs and juvenilely pals around town with an underage girlfriend named Knives Chau (Ellen Wong).
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Scott Pilgrim (Michael Cera) is own rock star hero. The World tells the story of one 23-year-old’s conversion from slacker to go-getter (with special emphasis on the “go get her” part of that transformation).
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The World is a razor-sharp film that, with one hand, masterfully serves up thick slices of goopy pop culture relativity while balancing, with the other hand, a narratively inclined bildungsroman about a boy, a girl, his other girl and her seven evil exes.Īdapted from the beloved graphic novels written by Bryan Lee O’Malley, Scott Pilgrim vs. Directed by fellow Grindhouse alumnus Edgar Wright ( Spaced, Shaun of the Dead, Hot Fuzz, and Don’t), Scott Pilgrim vs. It is a technically marvelous film that, without apologies or explanations, consistently operates as a ceremonious tribute to the wonderful world of video games and anime. The World announces its thunderously playful attitude as a sugary sweet twentysomething romantic comedy to its unsuspecting audiences. Beginning with a pixilated Atari-like Universal logo, complete with the familiar sounding bleeps and squawks from that gaming system as it blips out the usually orchestrated Universal Studios theme music, Scott Pilgrim vs.